Engaging Secondary English Students Through Transmedia Storytelling: Digital Platforms and Content Creation to Enhance Literacy

Autores/as

DOI:

https://doi.org/10.47133/NEMITYRA20260801b-A3

Palabras clave:

literature, transmedia narrative, transmedia literacy, participatory culture

Resumen

The teaching of English literature at the secondary level increasingly combines traditional texts with digital media such as films, podcasts, series, author interviews, and social media content. In this multimodal landscape, both print and digital resources shape contemporary literacy practices. This article examines the potential of transmedia narratives to enrich literature education by leveraging adolescents' involvement with digital technologies and content creation. Using a range of literary and digital artifacts, the project encouraged students to interpret and produce literary content across multiple platforms. The pedagogical approach drew on Dörnyei’s (1994) research on motivation, Livingstone’s (2012) work on ICT in education, and theories of transmedia literacy and participatory culture proposed by Scolari (2018), Montoya (2021), Ferrarelli (2021), and Miller (2020). Acting as a facilitator, I linked students’ everyday digital practices with formal literary study, which resulted in increased motivation, more profound engagement with literary texts, and greater participation. By becoming active content creators, students bridged formal and informal learning environments and developed participatory and transmedia literacies. The final reflections point out the ability of transmedia narratives to foster creativity, engagement, and meaningful learning in contemporary English literature classrooms.

Referencias

Archer, J. (2000). The Grass is Always Greener. In J. Archer, To Cut a Long Story Short. Harper Collins.

Barthes, R. (1977). The Death of the Author. In R. Barthes, Image Music Text (pp. 142–148). Harper Collins.

Dörnyei, Z. (1994). Motivation and Motivating in the Foreign Language Classroom. The Modern Language Journal, 78(3), 273–284.

Ferrarelli, M. (2021). Alfabetismos aumentados: producir, expresarse y colaborar en la cultura digital. Austral Comunicación, 10(2), 395–411. https://doi.org/10.26422/aucom.2021.1002.fer

Fitzgerald, F. S. (1925). The Great Gatsby. Wordsworth.

Jenkins, H. (2006). Convergence Culture: Where Old and New Media Collide. New York University Press.

Livingstone, S. (2012). Critical reflections on the benefits of ICT in education. Oxford Review of Education, 38(1), 1–15. https://doi.org/10.1080/03054985.2011.577938

Miller, V. (2020). Convergence and the contemporary media experience. In V. Miller, Understanding Digital Culture (2nd ed., pp. 45–78). Sage.

Montoya, C. (2021). La enseñanza de las narrativas transmedia a estudiantes de cine y literatura en idioma inglés: el estudio de un seminario en la Licenciatura en Lengua Inglesa de la UNSAM [Tesis de maestría, Universidad Nacional de San Martín].

Scolari, C. A. (2018). Transmedia literacy in the new media ecology: White paper. Universitat Pompeu Fabra.

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Publicado

2026-04-30

Número

Sección

Dossier: Real Issues in Real English Classrooms

Cómo citar

Engaging Secondary English Students Through Transmedia Storytelling: Digital Platforms and Content Creation to Enhance Literacy. (2026). Ñemitỹrã, 8(1), 29-35. https://doi.org/10.47133/NEMITYRA20260801b-A3

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